PRESS RELEASE
ALBION, an epic tale of modern Britain is being written in
tweets, with the help of young offenders, people with dementia, homeless people
and other “outsidered” groups, at https://twitter.com/tweetfromengels
The latest instalment is a collection of poems and tattoo
designs made in collaboration with young offenders at HMYOI Glen Parva, which
will start tweeting on 29th March.
Poet Philip Davenport from the arts organisation
arthur+martha who devised the project commented: “ALBION shares its origin with many of the oldest epics: it
is made from the human voice. Its difference is that it allows the voices of
the ordinary and the unheard to take centre place, rather than heroes,
hobgoblins and kings. We hope to make something that speaks to us all – at a
time when economic concerns are making society more fearful and less
caring.
“The young offenders’ work shows struggles for power and
identity, created by young men who are literally locked away, but who are also
locked into negative behaviour. Their pieces pay tribute
to people they care about
most, describing dreams and some nightmares too. They are touching, funny, ambiguous and
surprisingly vulnerable."
ALBION also includes work from homeless people in Greater
Manchester, people with a dementia diagnosis in the North West and Derbyshire,
people from economically disadvantaged communities in the North West and other
groups. It will continue tweeting for over a year and will be launched as a
book late 2014.
The Glen Parva workshops, which produced the material, were
set up as a partnership between arthur+martha CIC, Rideout prison arts
organisation and the Education Department of Milton Keynes College.
This project is funded by the NALD.
arthur+martha work with people whose voices might not be
heard – homeless people, school pupils in danger of exclusion, older people in
healthcare, holocaust survivors and others. Rideout (Creative Arts for
Rehabilitation) is a registered charity that specialises in arts projects in
the fields of crime, justice, punishment and the prison estate.
No comments:
Post a Comment