Wed-Fri 18-20 Nov
Having written the publicity, I then of course go into a spin of nerves and crises about the pieces. I know they’re not right, but can they be made right? This week already feels like a long stretch with the Speech is Code work and we’re only at Wednesday. I suspect that the way out is to go in deeper. From here onward, my work days become 12 hours plus of studio time, broken with dog walks and meals.
Mornings, I wash myself and some clothes, then step into the hurry of the streets. There’s a little outdoor market by my block and I meander that for my zaofen – watch the marketers and the shoppers, the toenail clipping and the fish sales, hold my breath past the piss-smell of the tripe stall, inhale the cake maker, the mah jong cafĂ© – then up the steep hill to 501 munching bananas. If I’ve a yearning for miantiao I drop by the noodle shop near the gates of “Wu ling yao” to spiceblast my tastebuds with chilli.
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Yan Yan will be in the studio already and Koko too, who bounces with enthusiasm when I come in. He asks politely for a walk, then pleads, then gets angry and finally huffs. I don’t like to be bossed by him so I wait until he’s calmed – tho I talk with him if he’s barking. When he’s mollified, or sulking quietly, I look at the pieces from the previous day, hustle the inks, brushes, pencils and rulers in one place, make some tea and make a start.
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