What a joy to be back at The Booth Centre, to start working on the Panorama project, alongside Singer Songwriter Matt Hill/The Quiet Loner. I’m always a tad nervous when we start a new project, Panorama brings with it quite a few firsts for me and arthur+martha: the first song writing, the first music/song performance, the first time we have attempted to make a ‘moving panorama’, the first time we have worked with Matt…
I arrived at The Booth at 9.30, when the morning rush was at its peak. It’s a place full of energy, patience, kindness, purpose, noise and the occasional outburst of frustration or anger- always quickly worked through with ever alert staff and volunteers. After breakfast was cleared away, Matt worked the room, meeting new people, drumming up interest in the project, sounding out the themes. Quickly a group of people who where interested in drawing joined me in a side room.
Joan and her drawing of Manchester
Phil and I have been lucky enough to run a series of projects at The Booth over the last few years. It means we are pretty much guaranteed at least one person along to a session who has been before to a previous project. They are huge assets- a trusting relationship has already been formed, they work as advocates to the project- sharing their enthusiasm with others, they can help point out to us who might enjoy or benefit from being part of the group, they advice and feedback on the individual workshop and project itself. On Thursday I’d like to thank Lawerence, Joan and Johno who did just that, with their support, new people felt more confident to join in.
Johno and his drawing of The Pankhurst Centre
In the afternoon Matt, our new group and I sat on a big table and started creating, infact even before Matt and I had finished our introduction, people had started drawing and writing. I was a little overwhelmed by how much energy and enthusiasm people put into the afternoon. One of the highlights for me was when the group took it in turns to read out ‘pen portraits’ of individuals whose stories are told at The People’s History Museum. Extraordinary stories like William Cuffay’s below.
As we hoped would happen, people found connections to the stories, either with their own life experiences, or experiences of friends and family. Many of the group haven’t been to thePHM before, many haven’t done any artwork since school, many haven’t written or performed music. Finding these personal connections, will be the way into the PHM museums collection, and meaningful artworks and songs.
Crystal’s drawing of Hannah Mitchell 1872- 1956
We’ve got a lot of work to do together, and not a lot of time to do it, but after the first day, I’m confident that we are going to do some extraordinary work together.